EXPOSED Annual Visual Arts Exhibition





The theme for this years Exposed exhibition is Solace and is inhonour of March 21st, 2016, the International Day for the Elimination of Racial Discrimination.


Featured Artists

Marvin Luvualu Antonio

Danièle Dennis

Jah Grey

Desmond Miller

Esmaa Mohamoud

Nadijah Robinson

Ève Tagny


Curated by Geneviève Wallen


March 14th – April 10th, 2016


Opening Reception

Thursday March 17th,

7:00 pm – 10:00pm

Gladstone Hotel, 2nd floor,

1214 Queen West, Toronto


For any inquiries please contact Nia Centre Project Manager Idil Jeilani at:


Please visit our Facebook event page for more information about programming:

Exhibition Premise


Black History Month has always promoted as a time of celebration of Black emancipation. February marks a period when recognition of achievements by key figures of liberation movements and renowned historical moments and unknown stories are shared on all media platforms. However, this time dedicated to blackness and the multifaceted histories from the Diaspora leaves many perplexed by the space it occupies socially and culturally. Some of us are torn between the sentiments of pride and skepticism, and ultimately find these celebrations emotionally and physically draining. Each year, between receptions and conversations, we come to realize that as individuals of Caribbean and African descent, although we enjoy more liberties than, years past, the intrinsic value placed on our bodies has not changed as much over time. We have better opportunities but this has not manifested in terms of equity.


In the last year, we have mourned too many deaths. So, how do we as individuals and as a community cope with the contemporary black experience? We are constantly re-inventing ourselves as individuals and by extension as a community Exchanges on daily practices of self-care and self-love is an integral part of this process. These forms of solace have been rarely explored in the arts as practices that create spaces for growth and healing. 


The exhibition Solace explores the various ways in which self-love and self-care can manifest in our daily lives. Self-care and self-love can be challenging especially when considering external pressures derived from professional, social, familial responsibilities and interactions. Many of us are stretched thin between personal ambitions and societal expectations, leaving little room for self-care rituals. It is through conscious acts of care that one can find ways of tapping into the highest expression of selfhood as it relates to restoration and in the healing of broken spirits and fatigued bodies. This exhibition aims to generate a space where the visitors can re-energize, re-center and meditate as means ofself-preservation and political stance.



Solace is made possible by the generous financial support of the Ontario Arts Council and partnership with The Gladstone Hotel.

EXPOSED Skin Deep: (Re)Imaging the Portrait

Group exhibition explores visuality and the body through the camera lens.



Featured Artists

Yannick Anton 

Ella Cooper 

Anthony Gebrehiwot 

Jah Grey 

Carolyn E.


Kara Springer


Curated by Pamela Edmonds


Thursday, March 19, 7PM – 11PM


The Project Gallery, 1109 Queen Street East, 



EXPOSED 2015, is the third incarnation of this yearly project which aims to provide a forum for artists to share their creations and to cultivate an appreciation of diverse artistic creations from across the African diaspora. 



Skin Deep: (Re)Imaging the Portrait presents photographic and video works by six artists who address the visualization of presence and its relationship to various notions of representation, subjectivity and the body.


Each brings a diverse point of view and critical eye, interrogating the place and positioning of contemporary individuals and historical figures within the public sphere as activated through the camera’s lens. From empowering assertions of Black female beings within the iconic Canadian landscape, insightful ruminations on loss explored through minimalism and disembodiment, to markings of individuality within the faceless urban realm, the artists re-imagine regimes of the image away from fixed inscriptions of race, gender, class and corporeality. Complex, poetic and celebratory, together their work engages and encourages new ways of knowing and recognizing the visual, the visible and the viewed. 


Skin Deep: (Re)Imaging the Portrait was made possible by the generous financial support of the Ontario Arts Council and partnership with The Project Gallery.

EXPOSED Deciding Centre


Deciding Centre represents the physical, and sometimes contextual, nature of work - offering a glimpse into the growing practices of these 9 contemporary artists..


Featured Artists

Johanna Brewster 

Amefika “Afi” Browne 

Jordan Clarke

Jessica Karuhanga

Bishara Mohamed

Gervais Kwabena Marley Nash

Chiedza Pasipanodya

Nadijah Robinson

Amber Williams-King


Curated by Sandra Brewster


March 7 - 21, 2014

918 Bathurst Centre, 918 Bathurst 


After gathering these individuals together, it was apparent to all of us that there seemed to be a playfulness in each artists’ work. And a need to find a balance, or a centre – a decision to focus on how to convey a representation of one’s identity and response to environment, or on making choices that involve materials for a particular aesthetic 



The artists’ approach to materials and techniques vary, however, the physical nature of much of their work centres around reconstruction and renewal. In some work, found materials such as cardboard, tiles and computer parts, are used to create new objects – what was unattractive and/or discarded is reclaimed and transformed into a thing of beauty, useful, current and cool. Other pieces, composed with two or more media – photography, textiles, drawing and painting – bring together materials unusually associated with each other to, in some cases, tell fantastical stories, referencing history and gesturing toward the future. 


Work in drawing, painting and photography, are quite multi-layered as well. Through strategic layerings of paint, new ways of examining the bomdy are explored. Additional paintings use the figure to explore the effect of the earth’s elements on spirituality. Photographs offer narratives as well as experimental techniques. And through a series of drawings a multi-dimensional arts practice, that includes performance, is being felt through mark making.



Deciding Centre was made possible by the generous financial support of the Youth Challenge Fund and the Anita Morris family.

© 2018 Nia Centre for the Arts

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